Posts Tagged ‘funny teleprompter video’
When Prompters Fail!
Posted by Andrew Parker in Teleprompter aka Autocue Monday, 12 October 2009 06:34 No Comments
What happens when teleprompters fail? On air talent, whether in news or entertainment, rely on professional teleprompters to enable them to, not only get the story exactly right, but to look straight into the camera and deliver their dialogue with sincerity and total believability. When the prompter fails, they are left to their ability to improvise on the spot. Some do this far better than others. Witness the poor news anchor whose prompter fails in the midst of a story while he’s live on air:
The take away? Make sure your teleprompter is totally reliable and your operator is a professional. Just give The American Movie Company, a call during office hours at 212-952-1800 or anytime at 917-414-5489. We’ll get you the right prompter and a professional operator at the best price in town. We also supply Presidential Prompters and the new Earl Morris Interritrons either at your location or in one of our green screen sound stages at 50 Broadway, Manhattan.
Posted by Andrew Parker in Errol Morris Interrotron, Teleprompter aka Autocue Sunday, 11 October 2009 01:08 No Comments
April Fool’s Day Joke on newscaster. At KUJHTV a prankster puts bogus copy into her prompter while live on the air. The address for the alleged prostitution ring is her own home address She totally looses it while reading the copy.
The Difference Between Film and Digital Camera
Posted by Tim Norton in Cameras Saturday, 22 August 2009 04:29 No Comments
Filmmakers have a lot of choices to make when taking on a film project. Things such as script choice and what team to put together are very important. However, another crucial decision that must be made is whether to use a film camera such as a High 8 or a digital camera that uses a hard drive or SD memory card.
Whether film or digital is your choice, both are perfectly fine. However, each one has its own list of advantages and disadvantages. Listed below are just a few for both methods.
The Film Camera
As you would suspect, a film camera requires film. The most recognized film camera is the High 8. This cameras film quality is very similar to that of a digital camera. Additional models include the 16mm and the Super 8 which are the old reel to reel cameras invented way before VCR’s.
Film cameras offer a richer looking film. However, this form does require the need for processing. While this task usually only takes a day or two, it is very difficult to find a processing center willing to work with a filmmaker on a budget. If you do in fact find one, your reward will be a clear and engaging film.
A camcorder that uses VCR tapes is another option. The tapes needed are very inexpensive and generally readily available. However, the disadvantages to this method are the fact that you must rewind in order to see the scenes you have already shot. If you find a scene you are not satisfied with your options are to tape over it or use a new tape. Furthermore, VCR tapes tend to wear down over time which will give your film a choppy, poor quality look.
Film and tape have an additional downfall, they most often appear dark. In order to prevent this, your goal is to provide adequate light while maintaining a natural feel.
Digital
Digital cameras are easier to find new, as they are phasing out the old tape camcorders. With the abundance of effects and editing options on a digital camera, you can make a professional looking film much faster than with film or tape.
If you have ever looked at a photo taken with an old 35mm camera and compared with digital, you will see that the disadvantage is that digital produces a picture that is often too bright and clear and contains no depth.
While digital cameras are very clear, it is very difficult to get the same shading and lighting unless you are an expert at lighting and editing programs.
Digital cameras allow you to check your shots right away, by simply clicking on the play button or connecting the camera to a computer and watching it. It’s much easier to erase too, just click the delete button and it’s gone. You don’t have to worry about re-using tapes and having them wear out on you.
Another advantage to using a digital camcorder is it’s much easier to upload your film to your computer for editing. All you have to do is connect the camera, upload the files and open your editing program. With a tape camcorder, you will need a convertor to connect to the computer.
Special effects are a breeze with a digital camcorder as well. All you need is to open the files already loaded on your computer and simply add the effects you desire.
One disadvantage to digital cameras, they are more expensive. A hard drive camcorder can run you upwards of $400 or a bit more. You can also get one that uses SD and XD memory cards, the same ones your still digital camera uses. These cameras tend to be a bit cheaper, but no less useful than the more expensive ones.
Before choosing the camera that is right for you, you must first ask yourself some questions. Do you want the ease and convenience of a digital camera? Or, do you prefer look and feel of the old school film and tape cameras?
Once you decide this, it will make the choices much easier to make.
The Camera Features Worth Paying For
Posted by Larry Woods in Cameras Thursday, 20 August 2009 06:49 No Comments
Today’s cameras offer a wide array of features that can be both confusing and overwhelming when trying to shop for the right camera. Features such as wide zoom range, face detect, megapixel count, image stabilization and high ISO can sound like a foreign language. If this sounds familiar, read on for some quick helpful tips to get your money’s worth.
The Image Stabilization Feature
This feature also called the ‘anti camera shake feature by canon, also referred to as ‘IS’ works by having an element inside the camera that detects small movements such as hands shaking slightly and adjust the camera to compensate for the movement. Other manufacturers offer this feature under names such as Mega OIS, Vibration Reduction and Super Steady Shot among others.
So, why is this feature so fantastic? The reason is simple; it allows photos to be taken in dimmer light without the use of flash or a high ISO setting. In most cases, the best pictures are taken in dimmer light, so do no not even consider buying a camera that does not offer this feature.
The Wide Zoom Range Feature
For the wide zoom range feature, a wider range can be achieved when taking a photo. For example, today’s every day point and shoot camera will come with a 35mm to 140mm feature. This is a decent range, however, the 140mm at the telephoto end will allow for frame filling when shooting at long distances while the 35mm will not allow everything being shot to be included in the photo. To gain everything you are looking for; try a 28mm on the wide end.
The Megapixel Count
Pixels are tiny dots that make up a photo, similar to that of how newsprint is made. If you take a magnifying glass to your newspaper, you will see the dots. Megapixel refers to a million dots. The listed megapixel count for a camera refers to the maximum amount of dots that will make up a photo once the finished quality photo has been selected.
In general, a range of six to eight megapixels is plenty for the average, casual photographer. Purchasing a high megapixel count is worth the money, however six megapixels is kind of overkill. Anything higher than six will only be truly worthwhile if you plan on making large prints out of your photos. In addition, higher megapixel count also allows for more latitude for cropping your photos without losing quality. This makes a higher range beneficial.
Closed Captioning – Teleprompter
Posted by John Sally in Cameras Friday, 7 August 2009 14:24 No Comments
Closed captioning is the procedure that makes it possible for people who are hearing impaired to read the dialogue on television programming by presenting the text on the lower third of the monitor. The FCC passed the first|initial|original|earliest closed caption ing law in 1993. This obliged all analog televisions with screens larger than 13 inches sold and/or made in the US include a integrated decoder to display closed display. Congress became involved several years after with the 1996 decision to require all video programming distributors including cable TV, broadcasters, and satellite distributors to close caption their programming.
The FCC furthered this decision a year later with a detailed transition timetable that obliged all distributors to increase|expand the amount of programming that contained captioning.As a final point, in July 2002, the FCC passed a second law requiring digital television receivers to add closed captioning display mechanisms.
Being a part of the communications industry while working at the American Movie Company has given me a personal look at the impact these laws have had on most studio productions. One of these effects has been how video and television productions have adapted the use of the teleprompter.
While we recognize why closed captioning is valuable, many people don’t realize how the teleprompter performs a key role in the providing of closed captioning to your television. There are two sectors into which closed captioning systems are separated: On-Line systems and Off-Line systems. This is when the teleprompter becomes important.
On-Line captioning is the teleprompter-based solution commonly used by broadcasters and news stations. In this setting, pre-scripted stories are fed from the newsroom automation system to both the teleprompter and to the closed caption encoder. This data usually does not include closed caption control codes but rather depends on the encoder inside the screen itself to insert the proper codes each time an ASCII carriage return is received.
The popularity of this type of system is based on the fact that neither a steno-captioner nor a computer with costly software is necessary. In most instances, the teleprompter system is already in place and closed captioning can be integrated for only the cost of the encoder.
Closed captioning is an exciting field that offers many opportunities for both the television broadcaster and the video producer. Hopefully, this introduction will help you to make intelligent decisions as you select a caption service provider, purchase equipment, or offer information to those who will make these choices.
It’s not only the impaired who are also grateful that this standard exists but also those in other countries who get involved in translations of English movies.